© Charles “Teenie” Harris, 1930s-1940s, One Shot Teenie
#1: Two young women eating caramel apples, 1940-1945
#2: A woman outside Kay’s Valet Shoppe, 1938-1945
#3: Boys (possibly from Herron Hill School) playing brass instruments, 1938-1945
#4: A woman poses with a car on Mulford Street in Homewood, 1937In the days of film, especially in a controlled setting, photographers often made redundant shots to make sure they captured what they wanted. Not Charles “Teenie” Harris. A native of Pittsburgh’s Hill District, the city’s cultural center of African-American life, Harris was a semi-pro athlete and a numbers runner before he bought his first camera in the 1930s. He opened a photography studio and specialized in glamour portraits, earning the nickname “One Shot” because he rarely made his subjects sit for a second take. (read more)
Nearly 80 years later, a retrospective of the photographer’s work, “Teenie Harris, Photographer: An American Story” is on view at the Carnegie Museum of Art in Pittsburgh until April 7, 2012.
If you’re involved with relationship with parents or children, instead of saying ‘I can’t do spiritual practices because I have children,’ you say ‘my children are my spiritual practice.’ If you’re traveling a lot, your traveling becomes your yoga.
You start to use your life as your curriculum for coming to God. You use the things that are on your plate, that are presented to you. So that relationships, economics, psychodynamics—all of these become grist for the mill of awakening. They all are part of your curriculum.
You start to use your life as your curriculum for coming to God. You use the things that are on your plate, that are presented to you. So that relationships, economics, psychodynamics—all of these become grist for the mill of awakening. They all are part of your curriculum.
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| — | Ram Dass (via yogachocolatelove) |
